Our SPC-HD was developed by our in-house research and development team. It’s a portable and complete scanning system designed to meet the vast needs of all productions, large and small.
We know that each production is unique and has specific scanning challenges. Our strength is our ability to find the solution for each of them. Our filmography portfolio is a testament that you can trust us to deliver.
We provide digital capture and scanning in-studio or on location, from anywhere in the world. We have the expertise and equipment to adapt to your needs, in any environment.
Industrial Pixel Visual Effects specializes in SPC-HD, LIDAR, Cyber-scanning and Cross Polarized Photography.
We developed our scanning system based on our customers’ technical requirements to create 16k textures with just a 0.5-second scan.
Our system is portable, efficient, and accurate to the millimetre, within a fraction of the time compared to older LIDAR.
Structured Light scanning has its roots in the automotive engineering world where accuracy is of the utmost importance.
We offer 360° high resolution cross polarized photography with 45° increments for full character and set coverage.
Our advanced SPC-HD system is unique to IPVFX because it’s an innovative system that can be packed into a few cases and setup on-site within 1.5 hours. It’s a simple and affordable solution. We also offer a mobile truck scanning service in select locations.
We are not limited to any single 3D scanning technology. IPVFX provides the best scanning solution based on an object’s size, reflectivity, and complexity. We’ve scanned boats, animals, and buildings! We offer a solution to your every scanning needs.
I truly appreciate the dynamic of work between the different departments and how they interact with visual effects. Every time I set foot on set it gives me further insight on how the pipeline works and how I can do my job better and help others do theirs
Scanning Technician
"I can't say enough good things about Ron Bedard and his team at Industrial Pixel. Totally flexible with scheduling, competitive with rates and efficient in getting processed materials back right away; all with a great attitude."
Boyd Shermis - Visual Effects Director
"You guys were great! Thanks for being flexible with all the schedule changes! The team did an excellent job and were great to have on set."
William Marlett - VFX Production Supervisor
"Industrial Pixel was an absolute pleasure to work with. They went above and beyond for all requests, including quite a few that fell outside of the normal."
Julia Neighly - Visual Effects Producer
"Industrial Pixel is a pleasure to deal with, they never let me down even with last minute requests, they have a low-key and professional presence on-set, and always a great attitude. The quality of their work was great. I will definitely use them on the next one."
Tom Boland - Visual Effects Producer
"Thank you - give any potential clients my contact email if you like - you guys did an AMAZING job! Please pass my thanks along to your crew."
Gayle Busby - Visual Effects Producer
"There were 275 CG creature shots - both human and otherwise - in UNDERWORLD AWAKENING making it far and way the most creature intensive of the franchise. Ron and his team scanned and created more than a dozen photo-real character assets that, as evidenced by the stream of compliments I heard from each of the facilities that worked with them, were a key component to the success of this creature work. I cannot recommend Ron more highly."
James McQuaide - Executive Producer
"We worked with Industrial Pixel VFX on our latest feature film, utilizing both Lidar and cyberscanning. The service we received was exactly what we needed to meet our demanding and changing schedules and the delivered data worked perfectly within our visual effects vendor's pipelines. I would not hesitate to recommend the Industrial Pixel team because of their outstanding service, problem solving skills and professional attitude."
Steve Dubin - Visual Effects Producer
"Ron and the team at Industrial Pixel were very professional and accommodating on “Carrie”. They understand the quixotic nature of film production at a fundamental level and were able to roll with the punches when the shoot schedule changed on a dime, or when a cast member was promised to us for scanning but was called to set at the last minute. I will work with them again without a doubt."
Stacey Dodge - Visual Effects Producer
"Ron and his team went out of their way to accommodate our very tight budget, schedule and impossible turnaround. His team showed up to our location with less than 24 hours notice and the work exceeded our expectations."
Curt Miller - Visual Effects Producer
"Working with Industrial Pixel was a dream. They were able accommodate our ever changing schedule and knocked the on-set scanning out in a quick professional manner. The assets we received were awesome... We will be doing business with them again in the future"
Sean Tompkins - Visual Effects