"Industrial Pixel was an absolute pleasure to work with. They went above and beyond for all requests, including quite a few that fell outside of the normal."

Julia Neighly - Visual Effects Producer

"We worked with Industrial Pixel VFX on our latest feature film, utilizing both Lidar and cyberscanning. The service we received was exactly what we needed to meet our demanding and changing schedules and the delivered data worked perfectly within our visual effects vendor's pipelines. I would not hesitate to recommend the Industrial Pixel team because of their outstanding service, problem solving skills and professional attitude."

Steve Dubin - Visual Effects Producer

"You guys were great! Thanks for being flexible with all the schedule changes! The team did an excellent job and were great to have on set." .

William Marlett - VFX Production Supervisor

"Thank you - give any potential clients my contact email if you like - you guys did an AMAZING job! Please pass my thanks along to your crew."

Gayle Busby - Visual Effects Producer

"Ron and his team went out of their way to accommodate our very tight budget, schedule and impossible turnaround. His team showed up to our location with less than 24 hours notice and the work exceeded our expectations."

Curt Miller - Visual Effects Producer

"I can't say enough good things about Ron Bedard and his team at Industrial Pixel. Totally flexible with scheduling, competitive with rates and efficient in getting processed materials back right away; all with a great attitude."

Boyd Shermis - Visual Effects Director

"Industrial Pixel is a pleasure to deal with, they never let me down even with last minute requests, they have a low-key and professional presence on-set, and always a great attitude. The quality of their work was great. I will definitely use them on the next one."

Tom Boland - Visual Effects Producer

"Ron and the team at Industrial Pixel were very professional and accommodating on “Carrie”. They understand the quixotic nature of film production at a fundamental level and were able to roll with the punches when the shoot schedule changed on a dime, or when a cast member was promised to us for scanning but was called to set at the last minute. I will work with them again without a doubt."

Stacey Dodge - Visual Effects Producer

"There were 275 CG creature shots - both human and otherwise - in UNDERWORLD AWAKENING making it far and way the most creature intensive of the franchise. Ron and his team scanned and created more than a dozen photo-real character assets that, as evidenced by the stream of compliments I heard from each of the facilities that worked with them, were a key component to the success of this creature work. I cannot recommend Ron more highly."

James McQuaide - Executive Producer

"Working with Industrial Pixel was a dream. They were able accommodate our ever changing schedule and knocked the on-set scanning out in a quick professional manner. The assets we received were awesome... We will be doing business with them again in the future"

Sean Tompkins - Visual Effects